'You seem worried, Mr Barsad, 'said Carton calmly.
"你似乎很擔心,巴薩德先生 。"卡登鎮靜地說 。
The spy turned to Mr Lorry. 'Miss Pross is my sister, sir. Would you send her brother to his death, sir? '
間諜轉向勞里先生說道:"普羅斯小姐是我的姐姐,先生 。您難道會送她弟弟去死嗎,先生? "
'The best thing for your sister, Mr Barsad, 'said Carton smoothly, 'is not to have a brother like you.
"對你姐姐來說最好的事情,巴薩德先生,"卡登平靜地說,"就是沒有了像你這樣的弟弟 。
I think I will inform the Tribunal that I suspect you of spying for England. You will be condemned at once, I am sure. '
我想我得告知審判團,就說我懷疑你是英國的間諜 。我相信你會被馬上處決的 。"
'All right, 'Barsad said slowly, 'I'll help you. But don't ask me to do anything that will put my life in danger, because I won't do it. '
"好吧 。"巴薩德慢慢地說道,"我會幫助你們,可是別想讓我做任何有生命危險的事,因為我不會做的 。"
'You're a guard at the Conciergerie prison, where Darnay is, aren't you? 'said Carton. 'Come, let us talk privately in the next room. '
"你是貢賽杰里監獄的看守,代爾那就在那里,是不是? "卡登說 。"來,讓我們在旁邊的屋子里私下談談 。"
When Mr Carton returned alone, Mr Lorry asked what he had done.
當卡登先生一個人回來時,勞里先生問他都干了些什么 。
藝術手法及其成就:
精彩的群眾場面描寫:批判現實主義作家擅長細致入微的心理刻畫和細節描寫 。但由于他們往往都表現個人的命運,因而作品中少有大規模的群眾場面,但該作品中有大規模的、轟轟烈烈的群眾場面的精彩描寫 。作家通過兩種辦法:一是把一個個的特寫鏡頭連接起來,組合成一個大場面的全景圖 。如第二部21章群眾攻打巴士底獄的場面,類似于鳥瞰圖,盡收眼底 。再就是有時作者把自己和群眾融為一體,以群眾活動參加者的身份來描寫.