評論
打印
I am a conductor,and I'm here today，to talk to you about trust.
我是個指揮家，今天我要談的是信任問題。
My job depends upon it.
這對我的工作很重要。
There has to be, between me and the orchestra,an unshakable bond of trust,born out of mutual respect,through which we can spin a musical narrative that we all believe in.
我和樂隊間必須有信任，建立在互相尊重基礎(chǔ)上的，牢不可破的信任，我們堅信這是我們一起音樂創(chuàng)作的基石。
Now in the old days, conducting, music making,was less about trust and more, frankly, about coercion.
以前，指揮，譜曲跟信任沒有太大關(guān)系，而是強(qiáng)迫性的。
Up to and around about the Second World War,conductors were invariably dictators these tyrannical figures，who would rehearse, not just the orchestra as a whole, but individuals within it,within an inch of their lives.
大概是二戰(zhàn)期間，指揮家總是獨裁者這些獨裁者們，不僅彩排樂隊也控制了所有成員，和他們的生活點滴。
But I'm happy to say now that the world has moved on,music has moved on with it.
但我很高興今天是世界已經(jīng)不同了，音樂也是如此。
We now have a more democratic view and way of making music,a two-way street.
如今我們創(chuàng)作音樂的視角和方法更加民主是雙向通道。
I, as the conductor, have to come to the rehearsal with a cast-iron sense,of the outer architecture of that music,within which there is then immense personal freedom for the members of the orchestra to shine.
作為指揮家的我要在彩排之前就對，曲子的大體結(jié)構(gòu)一清二楚，在此架構(gòu)內(nèi)樂團(tuán)的成員可以自由地注入他們自己的理解。
For myself, of course,I have to completely trust my body language.
對我自己而言，我必須完全堅信我的肢體語言。
That's all I have at the point of sale.
因為這是我所有的賣點了。
It's silent gesture.
無聲的語言。
I can hardly bark out instructions while we're playing.
演奏的時候我很少喊指示。
Ladies and gentlemen, the Scottish Ensemble.
女士們先生們，蘇格蘭樂隊。
So in order for all this to work,obviously I have got to be in a position of trust.
為了一切順利，我必須心懷信任。
