評(píng)論
打印
In his play, Ostrovsky portrays a sensitive spirit destroyed by a rigid and uncomprehending society,
在他的戲劇中,奧斯特洛夫斯基描繪了一種剛烈及不了解的社會(huì)摧毀的敏感精神,
and it was the idea of the vulnerable young woman in the grip of inescapable fate that touched Tchaikovsky so deeply.
而且其中一個(gè)想法是脆弱的年輕女性被不可避免的命運(yùn)掌控,這深深觸動(dòng)了柴可夫斯基。
Ostrovsky's heroine, Katerina is married to a weak young man dominated by his mother.
奧斯特洛夫斯基的女主角,凱特琳娜嫁給了一個(gè)占據(jù)他母親的脆弱年輕人。
Oppressed and frustrated, she falls secretly in love with another man.
經(jīng)受著壓抑和沮喪,她偷偷的愛(ài)上了另一個(gè)人。
And left alone, she succumbs to her passion.
而在獨(dú)處的時(shí)候,她屈服于自己的激情。
A wild storm breaks out and in terror she confesses her guilt.
一場(chǎng)狂野的風(fēng)暴呼嘯而來(lái),在驚恐中,她承認(rèn)自己的罪行。
She is pursued through the storm by her mother-in-law until she drowns herself in the Volga.
她在風(fēng)暴中被她的婆婆追逐,直到她將自己淹沒(méi)在伏爾加。
注：聽(tīng)力文本來(lái)源于普特
可可原創(chuàng)，未經(jīng)許可請(qǐng)勿轉(zhuǎn)載
