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But just in photographs, which were smaller, not as big as what O’ Keeffe was painting, also, O’ Keeffe studied under an artist named Arthur Wesley Dow.
但只是在體積更小的照片中，不像O’ Keeffe畫的畫那么大，還有，O’ Keeffe在一位叫做Arthur Wesley Dow的畫家手下學(xué)習(xí)過(guò)。
That’s DOW, D-O-W, who advocated focusing on simple basic forms, like the lines of a flower and its petals
那是DOW，他提倡關(guān)注簡(jiǎn)單的基本形式，比如一朵花的線條和它的花瓣，
and he wanted forms to be isolated from their original settings.
他想要的是與原本的環(huán)境分離的形式。
He believed that, by doing that, an artist could reveal an object’s, its essence.
他相信通過(guò)這么做，畫家能夠揭示一個(gè)實(shí)物的本質(zhì)。
He’d do things like...like. .have his students take a simple ordinary form,
他會(huì)......比如讓他的學(xué)生用一個(gè)簡(jiǎn)單普通的形式，
like a leaf, and explore various ways of fitting all of it into a square, maybe bending it around to make the whole thing fit into the frame. Pierre?
比如一片樹葉，探究把它全部放進(jìn)一個(gè)正方形的不同方法，也許把它彎曲起來(lái)使其整體能裝進(jìn)框架內(nèi)。Pierre？
It sounds like maybe O’ Keeffe borrowed most of her ideas.
聽起來(lái)似乎可能O’ Keeffe的大部分想法都是借鑒而來(lái)的。
The stuff we might think of as being hers, she just got them from other people, she didn’t really have a style of her own.
那些我們可能以為是她自己的想法的東西，她只是從其他人那里獲得的，她并沒(méi)有自己的風(fēng)格。
Well, virtually all artists are influenced by other artists,
實(shí)際上所有的藝術(shù)家都受到了其他藝術(shù)家的影響，
by their predecessors, by their contemporaries, their teachers...artists build on what other artists have done.
受到了他們前輩、同僚、老師的影響，藝術(shù)家會(huì)在其他藝術(shù)家的成就上有所建樹。
