評(píng)論
打印
Cut!
停！
Lasseter and his Pixar team had the first half of the movie ready to screen by November 1993,
1993年11月，拉塞特和他的皮克斯團(tuán)隊(duì)做好了電影的前半部分，
so they brought it down to Burbank to show to Katzenberg and other Disney executives.
到伯班克給卡曾伯格和其他迪士尼管理層看。
Peter Schneider, the head of feature animation,
動(dòng)畫(huà)長(zhǎng)片部門的總監(jiān)彼得·施奈德
had never been enamored of Katzenberg's idea of having outsiders make animation for Disney,
從未喜歡過(guò)卡曾伯格讓外人為迪士尼做動(dòng)畫(huà)的想法，
and he declared it a mess and ordered that production be stopped. Katzenberg agreed.
他當(dāng)場(chǎng)宣布這個(gè)電影簡(jiǎn)直一團(tuán)糟，命令停止制作。卡曾伯格也同意了。
"Why is this so terrible?" he asked a colleague, Tom Schumacher.
“為什么會(huì)這么糟糕呢？”他問(wèn)同事湯姆·舒馬赫。
"Because it's not their movie anymore," Schumacher bluntly replied.
“因?yàn)檫@已經(jīng)不再是他們的電影了。”舒馬赫直言不諱地說(shuō)。
He later explained, "They were following Katzenberg's notes, and the project had been driven completely off-track."
他后來(lái)解釋說(shuō)，“他們遵從了杰弗里·卡曾伯格的所有修改意見(jiàn)，這個(gè)項(xiàng)目也被完全帶走樣了。”
Lasseter realized that Schumacher was right.
拉塞特意識(shí)到舒馬赫說(shuō)得沒(méi)錯(cuò)。
"I sat there and I was pretty much embarrassed with what was on the screen," he recalled.
“我坐在那兒，屏幕上放映的東西令我感覺(jué)很尷尬，”他回憶說(shuō)，
"It was a story filled with the most unhappy, mean characters that I've ever seen."
“那個(gè)故事里充斥著一群我見(jiàn)過(guò)的最不開(kāi)心、最尖刻的角色。”
He asked Disney for the chance to retreat back to Pixar and rework the script. Katzenberg was supportive.
他請(qǐng)迪士尼給他一次機(jī)會(huì)，回皮克斯去返工。卡曾伯格對(duì)此表示支持。
