評論
打印
The two main characters went through many iterations before they ended up as Buzz Lightyear and Woody.
經過反復討論，兩個主角的名字最終定為“巴斯光年”和“胡迪”。
Every couple of weeks, Lasseter and his team would put together their latest set of storyboards or footage to show the folks at Disney.
每隔兩周，拉塞特和他的團隊就會把最新的腳本或片段給迪士尼的合作伙伴看。
In early screen tests, Pixar showed off its amazing technology by,
在早期試鏡時，皮克斯制作的動畫顯示了驚人的技術水平，
for example, producing a scene of Woody rustling around on top of a dresser
例如有一幕，胡迪在一個梳妝臺上，
while the light rippling in through a Venetian blind cast shadows on his plaid shirt
光透過百葉窗灑進來，影子投在他的格子襯衫上
an effect that would have been almost impossible to render by hand.
這個效果幾乎是不可能通過手工渲染來實現的。
Impressing Disney with the plot, however, was more difficult.
但是，要讓迪士尼對情節方面滿意，就難上加難了。
At each presentation by Pixar, Katzenberg would tear much of it up, barking out his detailed comments and notes.
每次皮克斯作演示，卡曾伯格都會推翻大部分情節，大聲道出他的具體評論和意見。
And a cadre of clipboard-carrying flunkies was on hand
旁邊總有一群手捧記事本的隨從，
to make sure every suggestion and whim uttered by Katzenberg received follow-up treatment.
確保卡曾伯格說的每個建議和奇思怪想都能得到后續落實。
Katzenberg's big push was to add more edginess to the two main characters.
卡曾伯格著力推動的一點，是要讓兩個主角的個性更尖銳。
It may be an animated movie called Toy Story, he said, but it should not be aimed only at children.
他說，雖然這是部叫“玩具總動員”的動畫電影，但是它不應該只以兒童為目標觀眾。
"At first there was no drama, no real story, and no conflict," Katzenberg recalled.
“一開始它沒有情節，沒有真正的故事，沒有矛盾沖突，”卡曾伯格回憶說。
