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The idea that John Lasseter pitched was called "Toy Story."
約翰·拉塞特的創(chuàng)意稱為“玩具總動員”，
It sprang from a belief, which he and Jobs shared, that products have an essence to them, a purpose for which they were made.
靈感來自他和喬布斯共有的一個信念：產品是有靈魂的，是為了一個使命才被生產出來的。
If the object were to have feelings, these would be based on its desire to fulfill its essence.
如果一個物體是有情感的，它的情感應該是基于它想實現自己價值的渴望。
The purpose of a glass, for example, is to hold water;
例如，杯子的使命是盛水；
if it had feelings, it would be happy when full and sad when empty.
如果它有情感，它會在滿的時候高興，空的時候悲哀。
The essence of a computer screen is to interface with a human.
計算機屏幕的使命是跟人互動。
The essence of a unicycle is to be ridden in a circus.
獨輪車的使命是在馬戲團被人騎行。
As for toys, their purpose is to be played with by kids,
而玩具，它們的使命就是供孩子們玩耍，
and thus their existential fear is of being discarded or upstaged by newer toys.
因此它們的恐懼就是被拋棄或被新的玩具取代。
So a buddy movie pairing an old favorite toy with a shiny new one would have an essential drama to it,
所以，一個最受喜愛的舊玩具和一個閃閃發(fā)亮的新玩具搭檔出演的兄弟電影，是極富戲劇效果的，
especially when the action revolved around the toys' being separated from their kid.
尤其是所有活動都圍繞著一些跟主人分開的玩具所展開。
The original treatment began, "Everyone has had the traumatic childhood experience of losing a toy.
如原腳本開篇時所說：“每個人都有在童年時失去玩具的痛苦經歷。
Our story takes the toy's point of view as he loses and tries to regain the single thing most important to him: to be played with by children.
我們的故事從玩具的視角展開，他一度失去并努力重新得到對他來說最重要的事情：跟孩子們玩。
This is the reason for the existence of all toys. It is the emotional foundation of their existence."
這是所有玩具存在的原因。這是他們存在的情感基礎。”
