評論
打印
However, that is simply not enough.
但是，這完全不夠。
And I think what Herbie said-please listen, listen.
我在想Herbie的話，請聽一聽。
We have to listen to ourselves, first of all.
首先，我們必須聆聽我們自己。
If I play, for example, holding the stick-where literally I do not let go of the stick you'll experience quite a lot of shock coming up through the arm.
舉個例子，當我拿著鼓棒，事實上我沒有松開它，你能通過手臂感受到強烈的震動。
And you feel really quite-believe it or not detached from the instrument and from the stick,even though I'm actually holding the stick quite tightly.
你會確確實實地感受到，信不信由你，與樂器本身以及鼓棒是分離的，然而事實上，我正緊緊的握著鼓棒。
By holding it tightly, I feel strangely more detached.
緊緊的握著它，奇怪的是我卻感受到更多的分離感。
If I just simply let go and allow my hand, my arm, to be more of a support system,suddenly I have more dynamic with less effort. Much more.
如果我松開一些，讓我的手和手臂作為更好的支撐，突然，我用相對少的力氣得到更多的動力，多得多。
And I just feel, at last, one with the stick and one with the drum.
最后我感覺到，一個離鼓槌很近，一個離鼓很近。
And I'm doing far, far less.
我做的越來越少。
So in the same way that I need time with this instrument,I need time with people in order to interpret them.
所以相同的道理，我需要時間與樂器一起，我需要時間和人們在一起才能去了解闡釋他們。
Not just translate them, but interpret them.
不僅僅是從表面上翻譯它，而是演繹它。
If, for example, I play just a few bars of a piece of musicfor which I think of myself as a technician that is, someone who is basically a percussion player ...
例如，我來演奏一點音樂的片段，從我把自己看做是個會這門技術的人的角度來看，后者，人們稱之為打擊樂演奏者。
And so on. If I think of myself as a musician ...
等等...如果從我把自己看做一個音樂家的角度。
