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Mel Gibson's Passion Of The Christ not glamorous.
Mel Gibson的耶穌受難記不屬于這類范疇。
That's glamour:
這就是魅力。
that's Michelangelo's Pieta, where Mary is the same age as Jesus and they're both awfully happy and pleasant.
這是米開朗琪羅的圣母憐子雕像，這里的圣母瑪麗與耶穌同齡而且都十分開心，無憂無慮。
Glamour invites us to live in a different world.
魅力使得我們能夠進入另一個世界。
It has to simultaneously be mysterious, a little bit distant that's why, often in these glamour shots, the person is not looking at the audience,
這同時要求其不得不保持一定的神秘性，一點點的距離。所以你經常可以在這些魅力的攝影中發現畫面中的人并非看著觀眾。
it's why sunglasses are glamorous but also not so far above us that we can't identify with the person.
這也就是太陽鏡之所以迷人的原因了，但是也不能高高在上不可靠近。
In some sense, there has to be something like us.
在某種程度上，必須存在著和我們相似的因素。
So as I say, in religious art, you know, God is not glamorous.
因此正如我說過，宗教藝術中，你知道，上帝是不富有魅力的。
God cannot be glamorous because God is omnipotent,omniscient too far above us.
上帝不能帶有這種特質因為他無所不能，無所不知。這一切都使得我們只能敬畏之。
And yet you will see in religious art, saints or the Virgin Mary will often be portrayed-not always-in glamorous forms.
然而你可以在宗教藝術中經常發現描繪圣人，或者圣母瑪利亞的作品-竭力展現出其迷人的一面-雖然并不經常。
As I said earlier, glamour does not have to be about people,but it has to have this transcendent quality.
就像我之前說的，魅力并非和人沾上關系。但是卓越的品質這一點是不可或缺的。
What is it about Superman?
試想一下超人。
Aside from Alex Ross's style, which is very glamorous, one thing about Superman is he makes you believe that a man can fly.
除了Alex Ross非常迷人的造型，超人能深入人心的一個原因就是他使得你相信人是可以飛的。
Glamour is all about transcending this world and getting to an idealized, perfect place.
魅力的宗旨就是提升這個世界的可能性達到一種理想化，完美的境界。
And this is one reason that modes of transportation tend to be extremely glamorous.
這也就是為什么當代的交通運輸方式如此的吸引人。
The less experience we have with them, the more glamorous they are.
而且對于我們來說，它們越是陌生，其迷人的色彩就越濃厚。
So you can do a glamorized picture of a car, but you can't do a glamorized picture of traffic.
因此你可以制作一張魅力跑車的圖片，但是你不能用同樣的方式把交通描繪出來。
You can do a glamorized picture of an airplane, but not the inside.
你可以制作一張彰顯飛機的魅力的圖片，但對其內部機制卻不能。
The notion is that it's going to transport you,and the story is not about, you know, the guy in front of you in the airplane,who has this nasty little kid, or the big cough.
這是因為那種被運載的思想，而且事實并不是像，你知道，飛機前這個家伙和他的討厭的小孩，或者一陣咳嗽。
The story is about where you're arriving, or thinking about where you're arriving.
事情是你到達的目的地，或者想到你在哪里到達。
And this sense of being transported is one reason that we have glamour styling.
而且這種被運載的感覺才是它吸引我們的一個原因。
This sort of streamlining styling is not just glamorous because we associate it with movies of that period, but because,in it's streamlining, it transports us from the everyday.
我們所說的魅力并不在于這種流程化的風格。因為我們將其同相應時期的影片結合起來了，而是因為在這種流線型的體驗中，我們日復一日的被它承載者。
The same thing-arches are very glamorous.
同樣的-拱形是非常富有魅力的。
Arches with stained glass-even more glamorous.
再加上彩色玻璃-就更加迷人了。
Staircases that curve away from you are glamorous.
那遠遠看去彎曲的樓梯十分吸引人。
I happen to find that particular staircase picture very glamorous because, to me, it captures the whole promise of the academic contemplative life but maybe that's because I went to Princeton.
我恰巧發現某種特定的樓梯圖片非常吸引我。因為對我來說，它牢牢的呈現了那種思想者學術生活的風格，或者因為我在普林斯頓大學上過學吧。
Anyway, skylines are super glamorous, city streets-not so glamorous.
總之，天際線迷人的難以置信，城市街道-卻不這樣。
You know, when you get, actually to this town it has reality.
你知道，當你真正的，走進一個真實的小城。
The horizon, the open road, is very, very glamorous.
地平線，開闊的公路，如此如此的迷人。
There are few things more glamorous than the horizon except, possibly, multiple horizons.
還有幾樣比地平線更富有魅力的事物。除了，那種，多重地平線的可能，而且。
Of course, here you don't feel the cold, or the heat you just see the possibilities.
當然，這里你不會感到冷，或者是熱你看到的只是可能性。
In order to pull glamour off, you need this Renaissance quality of sprezzatura, which is a term coined by Castiglione in his book, "The Book Of The Courtier.
為了順利的呈現出魅力，你需要這種sprezzatura的文藝復興的特性，這個詞語的典故是Castiglione在一本書，廷臣之書。
There's the not-glamorous version of what it looks like today, after a few centuries.
經歷了幾個世紀以后，這個版本以今天的眼光看來已經不再令人印象深刻了。
