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There were two other films that I saw later on in the mid-1960s that had just as much of an effect. I had left the theatre and was working in television when I saw a Czech film called A Blonde in Love by Milos Forman. It really endorsed everything that I was trying to achieve with my own work, but hadn’t managed to. It was about people and families, observed in a way that was full of humanity and humour, but still critical in theme.
后來，在20世紀(jì)60年代中期，我還看了其他兩部對(duì)我影響深遠(yuǎn)的電影。當(dāng)我離開劇院在電視臺(tái)工作時(shí)，我看了米洛斯·福爾曼的捷克電影《金發(fā)女郎的愛情》。這部電影認(rèn)可了我正要通過自己的努力實(shí)現(xiàn)但尚未實(shí)現(xiàn)的一切。它是關(guān)于人和家庭的，以一種充滿人性和幽默的方式進(jìn)行觀察，但在主題上仍然具有批判性。
