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Eventually, we see one isolated, tiny figure, alone.
最終 我們看到一個孤獨 渺小的人影
And this huge orchestration,
而這一切交織在一起
musical energy, these animated, pulsing rocks,
互相交響 與這些顫顫巍巍的石頭一起
look as though they're about to topple down on him.
仿佛要山崩地裂 壓倒在他頭上似的
What's happened to landscape painting in the hand of Wang Meng
王蒙筆下的風景畫
is that it's gone from being not just a place of calm,
不再僅僅是對寧靜風景的描繪
but to an intensely personal expression of his own mood
還是對他自己強烈的個人情緒
and his own feeling of insecurity.
與不安感的抒發
So, everything that is coursing through the imaginative energy
藝術家內心所交織的一切情感和想象
of the artist gets registered
都通過這些
in these sudden, jabbing, repeated strokes.
突兀 嶙峋 重疊的皴筆流淌出來
This, then, is a state of mind
這幅畫更多的是一幅心像畫
rather than a state of mountain.
而非只是山川風景
If this painting depicts Wang Meng's deepest anxieties,
如果說這幅畫表現了王蒙深切的焦慮
then his sense of foreboding was well founded.
那他的不祥感也并非毫無緣由
Shortly after completing it,
在完成這幅畫不久
he fell victim to his political enemies and died in prison.
他就被政敵迫害 死在獄中
Sometimes, the vision of boundless space will set you free.
有時 無邊無際的風景使你心蕩神馳
But, sometimes,the mountain walls close in and shut out the light.
但有時重重山墻也會將你圍困 阻絕一切光亮
Further west, in the Islamic world,
在遙遠西方的伊斯蘭世界
landscapes came to have a very different meaning.
風景有著頗為不同的意味
They were not cherished for their remote vistas,
它們被人欣賞的不是遠景
but, instead, for the way nature was made part of life in town.
而是在城鎮生活中所起的作用
And the form that oasis of peace took was a garden.
而沙漠綠洲般的安寧 則是以花園來表現
A welcome, shady retreat from the heat and dust of the day.
一個舒適陰涼 遠離炎炎烈日塵沙的避風港
To the faithful,this was more than a collection of plants and pools.
對信徒而言, 這不僅是一組池塘和植物的集合
It was an earthly reflection of the heavenly realm.
它還是天國的人間縮影
The Islamic garden evolved from a much older Persian tradition,
伊斯蘭花園傳承自古老的波斯傳統
the enclosed garden, called the paridaiza,
這種封閉式花園 叫做帕里戴耶薩
