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I call myself a body architect.
我自稱(chēng)為一名人體建筑師。
I trained in classical ballet and have a background in architecture and fashion.
我學(xué)過(guò)古典芭蕾，也有建筑以及時(shí)尚的相關(guān)背景。
As a body architect, I fascinate with the human body and explore how I can transform it.
作為一個(gè)人體建筑師，我真的十分癡迷于人的身體以及我怎樣才能改造它。
I worked at Philips Electronics in the far-future design research lab, looking 20 years into the future.
我現(xiàn)在就職于飛利浦電子公司的一個(gè)超前設(shè)計(jì)研究實(shí)驗(yàn)室，我們放眼于20年后的未來(lái)。
I explored the human skin, and how technology can transform the body.
我探索過(guò)人的皮膚，以及怎樣用科技改造身體。
I worked on concepts like an electronic tattoo, which is augmented by touch, or dresses that blushed and shivered with light.
我也研究過(guò)只通過(guò)觸摸就可以搞定的電子紋身，還有可以用光裝飾甚至打上碎花的裙子。
I started my own experiments. These were the low-tech approaches to the high-tech conversations I was having.
我還整了個(gè)實(shí)驗(yàn)。這是我用很沒(méi)技術(shù)含量的玩意兒弄出的看著很有技術(shù)含量的設(shè)計(jì)。
These are Q-tips stuck to my roommate with wig glue.
其實(shí)就是棉棒加上假發(fā)膠貼到我室友身上。
I started a collaboration with a friend of mine, Bart Hess -- he doesn't normally look like this -- and we used ourselves as models.
我還跟我的朋友，巴特·赫斯合作過(guò)，他平常不是這樣的——我們把自己當(dāng)作模特。
We transformed our apartments into our laboratories, and worked in a very spontaneous and immediate way.
我們把我們的公寓改造成了實(shí)驗(yàn)室，這樣就能相當(dāng)隨意地隨時(shí)實(shí)驗(yàn)我們的新想法。
We were creating visual imagery provoking human evolution.
我們現(xiàn)在正在創(chuàng)作視覺(jué)圖像來(lái)表現(xiàn)人類(lèi)進(jìn)化。
Whilst I was at Philips, we discussed this idea of a maybe technology, something that wasn't either switched on or off, but in between.
同時(shí)，在飛利浦，我們正在討論一個(gè)關(guān)于模糊科技的點(diǎn)子，我是說(shuō)一種并不是很絕對(duì)的形態(tài)。
A maybe that could take the form of a gas or a liquid.
一種可以以氣態(tài)或液態(tài)為形式的可能性。
And I became obsessed with this idea of blurring the perimeter of the body,
然后我就對(duì)把身體的邊界模糊化著了迷，
so you couldn't see where the skin ended and the near environment started.
在這種情況下，你無(wú)法知道皮膚與外界環(huán)境的具體分界線在哪里。
I set up my studio in the red-light district and obsessively wrapped myself in plumbing tubing,
我還在紅燈區(qū)建立了自己的工作室，然后不可抑制地用管子纏滿(mǎn)了自己的身體，
and found a way to redefine the skin and create this dynamic textile.
然后我發(fā)現(xiàn)這可以重新定義肌膚，并且也是一種動(dòng)態(tài)的紡織品。
I was introduced to Robyn, the Swedish pop star,
然后我被介紹給羅賓，一位瑞典的歌星，
and she was also exploring how technology coexists with raw human emotion.
她也在探索著怎樣使科技與我們的原始情感巧妙結(jié)合的方法。
And she talked about how technology with these new feathers,
然后她跟我說(shuō)了怎樣用科技造就這些新型“羽毛”，
this new face paint, this punk, the way that we identify with the world, and we made this music video.
這些面妝，這種朋克風(fēng)，以及我們定義這個(gè)世界的方式，于是我們就做了這個(gè)MV。
