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And for me it's a balance between the technique and a concept that pushes the boundaries of anatomy as a way to know thyself,
我覺得重點是要平衡技巧和突破解剖學自我認知的理念，
which is why the work of Michael Reedy struck me.
這也是邁克爾·里迪的作品打動我的地方。
His serious figure drawings are often layered in elements of humor.
他畫的嚴肅的人像透著一絲幽默。
For instance, take a look at her face. Notice those red marks.
比如這幅，看看畫中女孩的臉。注意這些紅色印記。
Michael manifests the consuming insecurity of a skin condition
邁克爾將這種對皮膚狀態的強烈不安感
as these maniacal cartoon monsters annoying and out of control in the background.
用瘋狂卡通怪物表現出來，在背景中不受控制，惹人心煩。
On the mirrored figure, he renders the full anatomy and covers it in glitter, making it look like candy.
而一旁的鏡面人像是一整幅解剖圖，閃閃發光，看起來像糖果。
By doing this, Michael downplays the common perception of anatomy, so closely tied to just disease and death.
這樣一來，邁克爾淡化了人們對解剖學的普遍理解，它原本和疾病死亡緊密相關。
Now, this next concept might not make much sense, but human anatomy is no longer limited to humans.
下一個理念可能不太好懂，不過人體解剖學不僅僅局限于人體。
When you were a child, did you ever wish that your toys could come to life?
在孩童時期，你希望過玩具有生命嗎？
Well, Jason Freeny makes those dreams come true with his magical toy dissections.
杰森·福瑞利通過解剖玩具，讓這成為現實。
One might think that this would bring a morbid edge to one's innocent childhood characters,
有人可能覺得對于孩子天真的童年來說，這種做法有點變態，
but Jason says of his dissections, "One thing I've never seen in a child's reaction to my work is fear."
但杰森說：“沒有哪個孩子被我的解剖玩具嚇到過。”
It's always wonder, amazement and wanting to explore.
孩子的反應都是好奇、驚訝，想研究一下。
