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Brazil's history has been expressed through its national passion for music.
巴西的歷史已經(jīng)表達了這個國家對音樂的熱情。
Samba, the country's dominant musical style, was used by politicians in the 30s in an attempt to create unity and a sense of national identity in this vast multiracial state.
桑巴這一全國主要的音樂形式,在30年代被政客使用以在這個巨大的多民族國家試圖創(chuàng)造團結(jié)和民族身份的感覺。
Regional musicians fought back, determined to promote a more down-to-earth image of Brazil.
而傳統(tǒng)地區(qū)的音樂家們奮起反擊,決心促成巴西一種更為實際的形象。
And in the 50s, Bosnova gave Brazil a new sophisticated internatinal identity.
在50年代,巴薩諾瓦賦予了巴西一種新的復(fù)雜的國際身份。
But in the 60s, everything changed.
但在60年代,一切都為之改變。
In a era of repression, music becomes a battleground in the new struggle to determine the identify of Brazil.
這是一個壓迫的時代,音樂在新的難以確定巴西身份中成為一個戰(zhàn)場。
1964 was a strange year for Brazilian music.
1964年對巴西音樂而言是奇怪的一年。
注：聽力文本來源于普特
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