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Never again would Tchaikovsky work under such close critical scrutiny, nor it takes along to perfect the form of any of his works.
柴可夫斯基不會再次在這樣至關(guān)重要的嚴(yán)密監(jiān)督下工作,也不需要去讓任何他的作品盡善盡美。
In the end, he worried at Romeo and Juliet for 10 years before he that he had done justice.
最后,他于10年前尋求公正之前開始擔(dān)心羅密歐與朱麗葉。
Never again would he feel for any woman what he had felt for Desiree Artot,
他再也不會感到像蒂塞·阿特洛特那樣的一個女人,
although the theme of love crushed by a hostile fate would continue to inspire many of his greatest works.
盡管愛的主題被無情的命運(yùn)擊垮，但這仍將繼續(xù)給他的許多最偉大的作品帶來靈感。
Under his friends'guidance,
在朋友的指導(dǎo)下,
Tchaikovsky had produced his first real masterpiece.
柴可夫斯基創(chuàng)造了他的第一部真正的杰作。
and at its close,
而在結(jié)束時,
some of the tenderness music that he ever wrote.
他曾經(jīng)寫道，來些舒緩的音樂。
注：聽力文本來源于普特
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