【電影簡介】

影片主要講述了一個又一個令人捧腹的圓夢故事：素有“小妞兒電影代言人”之稱的白百何在片中分身各種職業(yè)，大廚臥底售樓小姐無一不活靈活現(xiàn)，相比過去的單一直線型角色，這次的曲線演繹也把握得游刃有余大范兒盡顯。

愿望規(guī)劃師楊重（葛優(yōu) 飾）、情境設(shè)計師小白（白百何 飾）、夢境重建師小璐（李小璐 飾）與心靈麻醉師馬青（鄭愷 飾）四人組成的公司“私人訂制”，以“替他人圓夢”為自身業(yè)務(wù)，專門為不同客戶量身訂制“圓夢方案”，無論客戶的白日夢多奇葩、要求多嚴格，“圓夢四人組”統(tǒng)統(tǒng)來者不拒，甘愿滿足客戶的任何需求，正如同“私人訂制”公司的口號—“成全別人，惡心自己”。

一時間，許多懷揣著“奇葩夢”的客戶紛紛找上門，私人訂制公司也接連面臨各種挑戰(zhàn)：立志追求高雅跟俗“一刀兩斷”的全球最“俗”導(dǎo)演（李誠儒 飾）、想要當清官“自愿”接受錢色誘惑的司機師傅（范偉 飾）、生日愿望是想變成“有錢人”的河道清潔工人丹姐（宋丹丹 飾）“尋夢者”絡(luò)繹不絕，“圓夢四人組”也絞盡腦汁為每一位客戶私人訂制圓夢方案，過程中發(fā)生了許許多多令人捧腹的荒誕事兒，每一位客戶也都在最后“夢想成真”。

【音頻文本】

Personal Tailor is definitely the most topical film of the week.

First of all, its director Feng Xiaogang also helms this year's New Year gala on China Central Television.The show used to claim the attention of all Chinese people around the world, so Feng is getting a lot of media attention. Secondly, Personal Tailor marks Feng's return to comedy, after his two previous attempts at the disaster genre in the form of "Aftershock" and "Back to 1942". With the amount of promotions on his odyssey, the audience has naturally got their hopes up. And when they finally see the thing and are disappointed, their voices of complaint are most certainly loud.

A lot of the complaints are well-grounded though. On a quick glance, "Personal Tailor" is a remake of Feng's 1997 urban comedy "Dream Factory", and a lousy one at that. Both films revolve around a company that grants wishes to people who want to escape their current life. But the 1997 original has a smooth storyline,while the new one is divided into 3 parts that hardly connect with each other. To make matters worse, the 2013 "Personal Tailor" also includes a part where the characters apologize to the environment. That is definitely not the perfect ending for a comedy film, imagine how the audience would feel when they've paid the ticket for a bellyful of laugh but end up being upset by the ugly truth around them.

But after the initial shock, I've come to believe "Personal Tailor" will go down in film history nonetheless. Not because of its many flaws and the viewers' complaints of course, but because the motion picture somehow manages to capture one shot of the Chinese society of our age.

Ours is an age when we are obsessed with our petit or huge discontents and forget to dream for something bigger and better. We complain about corrupt officials yet hunger for their power; we loath the rich for their squandering and show-off yet we covet their wealth; we haunt ourselves with these obsessions so hard that only pure vulgarity could cheer us up.

Feng Xiaogang and screen writer Wang Shuo on the other hand, have realized the dangerous trend in the society and throw it at our face. Call it mockery or whatever you like, you will not look for a solution unless you realize there is a problem, and "Personal Tailor" has shown you the problem.

The last part of the film is an apology to the environment. To many viewers it may look suspiciously like an advertisement for public interest, but I believe by appealing to common interest, it is calling for common understanding.

Personal Tailor is at least a record of our current society, and if appreciated, may also be a call for bigger, better dreams.

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