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Belle de Jour, 1967
《白日美人》（1967 年）
The director Luis Bu?uel steadfastly maintained that this was a serious psycho-sexual study of bourgeois neurosis. Nice try, Bu?uel. Obviously what’s really on show here is Catherine Denueve’s stupefyingly chic wardrobe – designed for her by YSL himself. Seriously – the clothes helped to nail the Deneuve character’s pampered, demure confusion.
導演路易斯·布努埃爾一直堅稱這部電影是一個嚴肅的對資產階級神經癥的心性研究。得了吧，布努埃爾。顯然這部影片真正講的是凱瑟琳·德納芙令人驚嘆的時髦服裝——由伊夫·圣羅蘭親自為她設計。說真的，這些衣服有助于揭示出德納芙所飾演的人物放縱和假正經并存的雙重性格。
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