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The mayor may be a caricature, but the bailiff is not. Baru pursues Jan because he believes in the law—though he also lusts after the trappings of office (among other things). A battle of wills unfolds between the dashing rebel and the flawed defender of order.
市長可能是夸張的描述，但法警不是。巴魯追求簡，因為他相信法律——盡管他也渴望得到官職的裝飾(還有其他的東西)。
One of the boons of Netflix is that you can watch box sets from anywhere, in their original languages with English subtitles. Particularly in a lockdown, it is a joy to explore the world via dramas in Galician (try “Bitter Daisies”, a murder mystery) or Zulu, one of several tongues spoken in “Queen Sono”, a sort of African James Bond.
Netflix的一大好處是，你可以在任何地方觀看投影電影，而且是帶英文字幕的原版電影。特別是在禁閉期間，通過加利西亞戲劇(比如謀殺懸疑劇《苦澀的雛菊》)或祖魯語(《索諾女王》中使用的幾種語言之一，有點像非洲版的詹姆斯·邦德)來探索世界是一種樂趣。
Unlike Bond—or Robin Hood—Jan de Lichte was a real person. By all accounts he was a thug, robbing the poor and murdering rivals. (The romanticised version is based on “De Bende van Jan de Lichte”, a novel by Louis Paul Boon, a Belgian writer.) Still, many of the show’s details are accurate. The punishments endured by 18thcentury Flemish outlaws were every bit as barbaric as they seem on screen. There are worse fates than being stuck on the sofa.
與邦德或羅賓漢不同，簡·德·利希特是一個真實的人。據說他是個暴徒，搶劫窮人、謀殺對手。(浪漫版是根據比利時作家路易斯·保羅·布恩的小說《De Bende van Jan De Lichte》改編的。) 不過，該劇的許多細節都是準確的。18世紀佛蘭德的不法之徒所遭受的懲罰就像他們在銀幕上所表現的那樣野蠻。有比困在沙發上更糟糕的命運。
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