評(píng)論
打印
Books&arts
來(lái)源于《圖書(shū)與藝術(shù)》版塊
Art on the internet
在線藝術(shù)
The online of beauty
在線之美
Like all cultural institutions, galleries and art fairs are adapting to a new reality
與所有文化機(jī)構(gòu)一樣，畫(huà)廊和藝術(shù)博覽會(huì)正在適應(yīng)新的現(xiàn)實(shí)
Art Basel Hong Kong, Asia’s biggest contemporary-art fair, was cancelled because of covid-19, but anyone who had planned to visit last week could enjoy an experimental alternative: the viewing room. At the click of a keyboard, you could enter a panoramic but private visual salon, without having to brave the airless Hong Kong Convention and Exhibition Centre.
亞洲最大的當(dāng)代藝術(shù)博覽會(huì)——香港巴塞爾藝術(shù)展因covid19而被取消，但任何上周計(jì)劃參觀的人都可以享受一個(gè)實(shí)驗(yàn)性的替代選擇：播映室。只需按一下鍵盤(pán)，你就可以進(jìn)入一個(gè)全景但私密的視覺(jué)沙龍，而不必在空氣不流通的香港會(huì)議展覽中心里穿行。
Participating galleries were told that, for a quarter of the original fee, they could have a slot in the online fair. Over 90% of the line-up—231galleries—gave it a whirl, offering more than 2,000 works worth $270m in total. The viewing room was a telling indication of how art might be shown (and sold) in the future, in a pandemic-stricken era or if travel is otherwise restricted. It offered encouragement—and some lessons on digital engagement.
參與展覽的畫(huà)廊被告知，只需原費(fèi)用的四分之一，就可以在網(wǎng)上展覽會(huì)上占有一席之地。超過(guò)90%的畫(huà)廊——231家畫(huà)廊——嘗試了一下，總共提供了2000多件價(jià)值2.7億美元的作品。觀景室生動(dòng)地表明，在未來(lái)，在一個(gè)病毒肆虐的時(shí)代，或者在旅行受到限制的情況下，藝術(shù)品展示(和出售)的可能的方式。
There, on one webpage, was Jeff Koons riffing on Botticelli’s “Primavera” in a tribute to the history of painting at David Zwirner Gallery. Ota Fine Arts offered one collector the chance to acquire an “infinity room”, one of the most Instagrammed artworks of recent years—the creation of the psychedelic, nonagenarian Japanese artist, Yayoi Kusama. White Cube presented an array of international works by Andreas Gursky (German), Theaster Gates (American) and Beatriz Milhazes (Brazilian). But not every artist, gallery and form showed to equal advantage in this alternative fair.
在其中一個(gè)網(wǎng)頁(yè)上，杰夫·昆斯在大衛(wèi)·茲沃納畫(huà)廊為紀(jì)念繪畫(huà)史而翻唱波提切利的《春》。大田秀則畫(huà)廊為一位收藏家提供了一個(gè)獲得“無(wú)限空間”的機(jī)會(huì)，這是近年來(lái)在 instagram 上最受歡迎的藝術(shù)品之一。這是日本藝術(shù)家草間彌生的作品，他已經(jīng)九十多歲，具有迷幻色彩。白立方畫(huà)廊展示了安德烈亞斯·古爾斯基(德國(guó))、西斯特·蓋茨(美國(guó))和貝亞特里斯·米拉塞斯(巴西)的一系列國(guó)際作品。但并不是所有的藝術(shù)家、畫(huà)廊和形式都在這個(gè)另類的展覽會(huì)上表現(xiàn)出同等優(yōu)勢(shì)。
譯文由可可原創(chuàng)，僅供學(xué)習(xí)交流使用，未經(jīng)許可請(qǐng)勿轉(zhuǎn)載。
