評論
打印
“These playful works exist in the lost land of childhood, between dreams and reality,” Callesen said. “It is in the confrontation of these two worlds that these works of art become alive.”
“這些好玩的作品存在于童年夢想與現(xiàn)實之間的失落之地，”卡羅森說。“藝術作品的活力就體現(xiàn)在夢想與現(xiàn)實的對立之中。”
Callesen’s large-scale works are truly impressive, but I kind of prefer his delicate works on A4 paper. As the artist put it, “It is probably the most common and most widely used medium used for carrying information today. This is why we rarely notice the actual value of the A4 paper, which, I feel, we are all able to relate to in one way or another.”
卡羅森的大型作品確實讓人印象深刻，但我更鐘情于他用A4 紙創(chuàng)作的精美紙雕。正如這位藝術家所說，“它可能是當今用來傳遞信息的最常見和最廣泛使用的媒介。因此我們極少注意到它的實際價值。我認為我們都能夠以某種方式來領略這一價值。”
