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Jobs personally worked with them to transform SoundJam into an Apple product.
喬布斯親自上陣，和他們?nèi)撕献鳎裇oundJam變成了蘋果產(chǎn)品。
It was laden with all sorts of features, and consequently a lot of complex screens.
它的功能太多，導(dǎo)致屏幕顯示也很復(fù)雜。
Jobs pushed them to make it simpler and more fun.
喬布斯要求他們必須把軟件改得更加簡單有趣。
Instead of an interface that made you specify whether you were searching for an artist, song, or album,
之前的界面是用戶可以按照歌手、歌曲名或是專輯名進(jìn)行搜索，
Jobs insisted on a simple box where you could type in anything you wanted.
但是喬布斯堅(jiān)持把它改成了一個(gè)簡單的輸入框，你可以直接輸入任何你想捜索的信息。
From iMovie the team adopted the sleek brushed-metal look and also a name. They dubbed it iTunes.
從iMovie開始，團(tuán)隊(duì)把這個(gè)系列的軟件界面改成了統(tǒng)一的拉絲金屬風(fēng)格的外框，并給音樂軟件取了名字--iTunes。
Jobs unveiled iTunes at the January 2001 Macworld as part of the digital hub strategy.
作為數(shù)字屮樞戰(zhàn)略的一部分，喬布斯在2001年1月的Macworld大會(huì)上發(fā)布了iTunes 。
It would be free to all Mac users, he announced.
他宣布，所有蘋果機(jī)用戶都可以免費(fèi)使用該軟件。
"Join the music revolution with iTunes,
“和iTunes一起加入音樂革命吧，
and make your music devices ten times more valuable," he concluded to great applause.
它可以把你的音樂設(shè)備的價(jià)值增加十倍！”他的結(jié)束語引發(fā)了熱烈掌聲。
As his advertising slogan would later put it: Rip. Mix. Burn.
隨后，iTunes的廣告語也出來了：“扒歌，混制，刻錄。”
That afternoon Jobs happened to be meeting with John Markoff of the New York Times.
就在那天下午，喬布斯和《紐約時(shí)報(bào)》的約翰·馬爾科夫見面。
The interview was going badly, but at the end Jobs sat down at his Mac and showed off iTunes.
采訪進(jìn)行得很不順利，但是最后喬布斯坐在他的Mac電腦前展示iTunes。
"It reminds me of my youth," he said as the psychedelic patterns danced on the screen.
“它讓我想起了我的年輕時(shí)代。”當(dāng)屏暮上出現(xiàn)了迷幻風(fēng)格的屏保時(shí)，他這樣說道。
That led him to reminisce about dropping acid.
這讓他想起了曾經(jīng)服用迷幻藥的時(shí)候。
Taking LSD was one of the two or three most important things he'd done in his life, Jobs told Markoff.
喬布斯對(duì)馬爾科夫說，服用迷幻藥是他這輩子做過的兩三件最重要的事之一。
People who had never taken acid would never fully understand him.
沒有這種經(jīng)歷的人永遠(yuǎn)也不可能完全理解他。
