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Modern furniture began at the Bauhaus 100 years ago.
現代家具始于100年前的包豪斯風格的創造。
There have always been only a few serious companies doing Bauhaus furniture re-editions or replicas.
一直以來，都只有少數公司在認真翻新和復制包豪斯家具。
We are doing this for 50 years now.
我們做這行已經有50年了。
It's important for us to tell the story how it really was.
我們非常重視展示真正的包豪斯家具。
This is Tecta, a factory in Lauenforde, Germany, one of the few in the world to replicate original Bauhaus furniture.
歡迎來到Tecta，一家位于德國勞恩弗爾德的工廠，也是世界上為數不多的生產正宗包豪斯家具的工廠之一。
And this is one of the crafters behind it all.
而這一切的背后都有這位工匠的功勞。
My name is Christian Drescher. I'm the owner of Tecta.
我是Christian Drescher。Tecta就是我的產業。
We are a family business of fourth generations, and I co-work with my uncle, Axel Bruchhauser, for the last years.
我們工廠是一個有著四代歷史的家族企業，過去幾年里，我和我的叔叔Axel Bruchhauser一起在管理這個工廠。
With my father and I, we took over the existing company, Tecta, and our dream was to produce all the forgotten Bauhaus furnitures.
我和我父親一起接管了現在的工廠Tecta，我們的夢想是生產所有被遺忘的包豪斯家具。
Our aim is to prove everyday that these classics still play a role in current living situations.
我們的目標是每天證明這些經典仍然可以為當前的生活所用。
The centenarian designs are known for their minimal and practical nature and lack of adornments and details-central features in the Bauhaus school.
有著上百年歷史的包豪斯設計以包豪斯學院那種極簡實用的設計本質，少用裝飾和細節中心的特征而聞名。
And these men are on an intricate mission to make sure that designs, like the 1925 Wassily Chair and the 1927 Cantilever Chair, are still sat on today.
而他們就在執行一項復雜的任務，確保像1925年面世的瓦西里椅和1927年誕生的懸臂椅之類的設計仍然為今天的世人所用。
Drawings and original documentations are very important.
圖紙和原始文件非常重要。
So we worked closely, or work closely, with the Bauhaus archive and then, from that on, we can realize things;
所以我們過去和包豪斯檔案館有過密切合作，現在也還有，然后，這樣我們才能把這個事情做起來;
we have a carpentry workshop and a metal workshop, the upholstery, put all these together, together with the designer; this makes it possible to make the furniture.
我們有一個木工車間，一個金屬車間，室內裝潢，把所有這些放在一起，與設計師一起;正是這些資源成就了我們的設計。
It's a big satisfaction if you see that you have somehow prolonged the life-cycle of an old classic by doing an interpretation of 2019 of a Bauhaus piece from 1919.
當你看到自己對1919年的一件包豪斯作品進行了新時代的解讀，從而延長了一件古老的經典作品的生命力的時候，就會覺得非常滿足。
And then people say, "Wow, this is so avantgardistic, this is so contemporary " though it's 100 years old.
有人說，“哇，這個好前衛，好現代化啊”，盡管它明明已經有100年的歷史了。
That makes us very proud because they are not simple products.
我們就會感到非常自豪，因為我們做的不單單只是產品。
They are furniture with a soul, with something more.
我們做的是有靈魂，有內涵的家具。
