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In a sensible compromise, entrance to the Prado is free for the last two hours of each day.
作為合乎情理的折中方案，每天最后倆小時(shí)進(jìn)入普拉多是免費(fèi)的。
Those who pay 15 euros to come earlier can contemplate Velazquez's “Las Meninas” with fewer jostling tour parties.
要是支付15歐元提前進(jìn)入，游客就可以避開(kāi)推推擠擠的旅游團(tuán)，細(xì)細(xì)品味委拉茲開(kāi)斯的《宮娥》。
Photographs and selfies are banned.
在里面禁止拍照及自拍。
To counteract young Spaniards' declining interest in the art of the past, Mr Falomir wants to bring in contemporary art inspired by the Prado's collection.
為了抵消西班牙年輕人對(duì)過(guò)去的藝術(shù)作品興趣的衰減，F(xiàn)alomir先生想要引進(jìn)受普拉多藏品啟發(fā)創(chuàng)作的當(dāng)代藝術(shù)品。
As museums become more and more alike, the Prado's collection remains unique.
雖然其他博物館在不斷趨于相似，普拉多的藏品仍保持著獨(dú)特性。
Unlike the Louvre or London's National Gallery, it is not encyclopaedic.
普拉多不像盧浮宮和倫敦國(guó)家美術(shù)館那樣包羅萬(wàn)象。
Its core is the royal collection, which reflects the tastes of Spain's monarchs in its Golden Age.
反映西班牙黃金時(shí)期君主品味的皇家藏品是其核心。
That makes it “magnificently unbalanced”, says Mr Falomir.
Falomir先生說(shuō)：“這使得普拉多的藏品呈現(xiàn)‘輝煌壯美式’地失衡?！?/div>
No other museum can count 200 Goyas, 90 Rubenses, 40 Titians or most of the surviving work of Velazquez or Bosch.
沒(méi)有其他博物館能擁有如此之多的大師手筆：包括戈雅的作品兩百件，魯本斯的作品九十件，提香的作品四十件和委拉茲開(kāi)斯及博希遺作的絕大部分。
To mark the museum's bicentenary in 2019 work will start on an extension designed by Norman Foster.
為了2019年的兩百周年紀(jì)念日，博物館將根據(jù)Norman Foster的設(shè)計(jì)展開(kāi)擴(kuò)建工作。
It will include a restored Hall of the Realms, the grandest remnant of the 17th-century palace that once stood on the Prado's site.
這將包括修復(fù)一個(gè)王國(guó)的廳堂，曾坐落于普拉多展區(qū)的17世紀(jì)最宏偉壯麗的宮殿遺跡。
Velazquez's “Surrender of Breda” and his five great equestrian portraits will return to the Hall, where they originally hung.
委拉茲開(kāi)斯的《布列達(dá)的投降》和五幅騎士肖像畫(huà)將回歸展廳并掛到原處。
Some 200 paintings currently in storage will go to the new space.
目前儲(chǔ)存著的兩百幅油畫(huà)也將送往新的展區(qū)。
Spain's national self-confidence was shaken by the financial crisis of 2008-09.
西班牙的民族自信被2008-09年爆發(fā)的經(jīng)濟(jì)危機(jī)動(dòng)搖。
Many new museums around the country were revealed to be the unaffordable trophies of local politicians.
在國(guó)內(nèi)興建博物館成了當(dāng)?shù)卣拓?fù)擔(dān)不起的好勝之舉。
The Prado's lesson for post-crisis Spain is that professionalism, entrepreneurial drive and internationalisation bring rewards.
普拉多給后危機(jī)時(shí)代的西班牙上了一課：提升專業(yè)水平，銳意創(chuàng)新和接軌國(guó)際才會(huì)帶來(lái)回報(bào)。
譯文來(lái)源考研英語(yǔ)時(shí)事閱讀
