影片簡介

紐約市地下鐵行車調(diào)度員華特（丹佐華盛頓飾）有著極其平凡普通的生活，每天的生活就是去地鐵站上班、工作、然後回家，然而一起犯罪案子的發(fā)生，徹底的改變了華特原本平靜無波的生活：地鐵遭劫。以雷德（約翰屈伏塔飾）為首的四個歹徒，抱著極大的犯罪野心，決定洗劫人潮洶涌、構(gòu)造復(fù)雜的紐約地鐵站。這群膽大計高的歹徒在洗劫了紐約地下鐵之後，又劫持18名乘客作為人質(zhì)，并揚(yáng)言每分鐘處決一名乘客，威脅市政府在一小時內(nèi)交100萬美元贖人。
　　在千鈞一發(fā)之際，華特對於地鐵站的專業(yè)與了解，使他被派上前線與歹徒斗智，展開一場驚心動魄的救援行動，然而他們最大的問題出現(xiàn)了：就算歹徒順利拿到贖金，人質(zhì)們該用何種方式進(jìn)行逃離現(xiàn)場呢？

Walter Garber is a traffic manager in the control center for MTA, the vast New York City Subway underground rail system. On an ordinary day he may have to deal with trains that break down, derailments, stuck signals and the like.

But when one of his trains stops in mid-tunnel for no apparent reason he quickly finds out this is no ordinary day.

A train hijacked at gunpoint with hostages' lives at stake puts Garber in the 'hot seat' because the mastermind of the plot - who calls himself 'Ryder' - will only talk to the dispatcher as he details his demands punctuated with threats of deadly violence.

Director Tony Scott says his challenge was to keep the audience in suspense and keep the movie moving forward as the two adversaries spend much of the time talking back and forth on the radio.

"For me it's a tough movie to do," Scott says. "Two-thirds of the movie is two guys on the phone so I saw that as being a challenge，cos’ I thought, how did we keep this anxiety and momentum going because it’s, as I say, two-thirds of the movie it's two guys on the phone with each other."

As he did in hit movies like Top Gun and Crimson Tide, Scott relies on reality rather than digital effects, in this case putting his actors in real New York subway cars and along the tracks in the real tunnels.

"The city was the third character in the movie and became a very important factor," says Scott. "That's why I opened the movie with that freneticism and that anxiety which I stole from "Koyaanisqatsi," which was a big, old 'stoner' movie from the '70's - the same time they brought out [the original]"…Pelham." I wanted to make the city a very strong character and I think I handled and shot it in a way that it hasn't been before. It's always about noise and people and anxiety, so it was a great contrast. For me this movie was a brilliant canvas in terms of the bowels of the city of New York down in the subway system to the calmness and the quiet of the almost NASA-like MTA control center. So I had a great canvas on which to work. "

"I just liked the idea that he was an ordinary guy in an extraordinary situation," adds Denzel Washington.

…Pelham 1-2-3 is co-star Washington's fourth film with director Scott; and for this one Washington says his big challenge was not to be a police officer or a leader, but just to be an ordinary civil servant.

"The challenge is that there was nothing special about the guy," Washington says. "He's a regular, hard-working 'Joe', you know, and I embraced that. So he doesn't know anything about guns. He’s not, suddenly, you know, all we find out that he was in 'Delta Force' as a kid. He's just a guy, overweight, coffee-spilling klutz who saves the day."

The original film starred Walter Matthau as Garber and Robert Shaw was the subway hijacker, the character John Travolta plays in the new film. However Washington says what they did is not based on that 1974 thriller.

"I don't think it's a remake," Washington says. "I think it's basically a story of a hostage situation on a train in New York City. I think that's what the two films have in common and I don't know that my character and the character that Walter Matthau played are that similar."

The Taking of Pelham 1-2-3 also features John Turturro as the New York police department's skilled hostage negotiator. James Gandolfini plays the city's scandal-plagued mayor and Luiz Guzman is one of Travolta's key henchmen in the hijacking. The screenplay, adapted from the novel by John Godey, is by Brian Helgeland.