【電影簡介】

30好幾的杜拉拉（林依晨飾）二次歸來，一心想與王偉（周渝民飾）結婚的她遇到勁敵美少女沙當當（林珍娜飾），而另一名追求者陳豐（陳柏霖飾），和新上司曲絡繹（鄔君梅飾）的出現，讓杜拉拉對人生的選擇陷入迷惘。面對接踵而來的問題，杜拉拉是否能再次“升職”成功呢。

【音頻文本】

In 2011, Taiwan TV series "In Time with You" starring Ariel Lin and Berlin Chen was aired in Chinese mainland, it was a cheesy romantic drama, but the chicks loved it.

December 2015, Ariel and Berlin team up again in a chick flick "Go Lala Go," many fans of the TV series visit the cinemas just to see the couple together again. Well, that and the fact that this may count as a sequel to a 2010 romantic comedy of the same name, are enough reasons to get the girls crazy. However I'm not sure they'll enjoy it in the same way they used to adore the TV series, because this awkward combination of workplace drama and romance lands in the middle of nowhere between the two.

"Go Lala Go 2010" was based on a popular novel by a blogger who wrote about the challenges that a female employee has to overcome to climb up the company food chain. In an uncomfortably mundane manner, the novel enlightened many office workers on the subtlety and sophistication that they need to thrive in the job market. "Go Lala Go 2015", based on a sequel of the novel, is no longer a lesson on office politics: the focus has been switched to a career woman's struggles on the domestic front.

Oh yes, our dear Lala, despite her moderate success in the workplace, has trouble getting her boyfriend to pop the question, and that also has negative impact on her work performance. But no need to worry, an opportunity soon presents itself for Lala to crack an opening in both her career and her romantic life. If I were in her shoes, I would laugh myself awake from this marvelous daydream, but our dear heroine seems torn apart by the choices she has to make.

I realize I have been referring to my own assumptions perhaps a bit too frequently, but that's only because the story has failed to cast the woman's state of mind in a consistent light. At times unsure about her decisions and other times quite imposing, the character in Lala seems volatile and empty, hostage to the writer's whimsical imagination. I suppose the idea is to showcase the difficulty for a woman to juggle career and family life in the modern times, but the film does not provide enough evidence to support my conspiracy.

Perhaps it is not a film made for the male audience, after all guys aren't always ready to take pleasure from simply seeing a woman in distress. Also, guys are less tolerant of a film full of close-up shots, we don't feel like being compared to movie stars. To be fair, there ARE several long shots reserved for product placement purposes, but since we don't recognize those women-oriented brands, they are not necessary at all. Oh, and we are pretty sure the cinematographer isn't to blame here, Dylan Doyle, we've seen your work in "Touch of the Light," great job!

In 2010, Patrick Frater of Variety described "Go Lala Go" as "a precursor to the current wave of Chinese contemporary romance films." There must be a typo here, I think he meant a pretty curse.

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