評論
打印
vt. 說服，勸說
您現在的位置： 首頁 > 英語六級 > 英語六級聽力 > 六級聽力考試輔導 > 正文
Section C
Directions:
In this section,
you will hear a passage three times.
When the passage is read for the first time,
you should listen carefully for its general idea.
When the passage is read for the second time,
you are required to fill in the blanks numbered from 36 to 43
with the exact words you have just heard.
For blanks numbered from 44 to 46
you are required to fill in the missing information.
For these blanks,
you can either use the exact words you have just heard
or write down the main points in your own words.
Finally, when the passage is read for the third time,
you should check what you have written.
now listen to the passage
Some people say that
if you want to go into the recording business,
“It’s not what you know,
but who you know, that matters.
” My first reaction to that is to disagree,
but on second thought I must admit
that there is some truth in it.
When you go for an interview for a job in a studio,
they will be interested in the qualification you have on paper
but the really important thing will be that
you can show you have had some useful experience.
If you don’t know anyone significant,
look in the yellow pages for the list of local studios.
Go round to the ones that seem to be professional.
And ask them if they need extra help.
They will not want to employ you
unless you have some previous experience,
so tell them that you will work there for nothing,
that you are just interested in recording,
and that you are on the lookout for
any job that comes up.
You should display your personality
as good as you can.
If they accept you,
at first you have to make the tea or sweep the floor.
When they get to know you and see
that you like studio work,
they may give you more interesting jobs
and think of employing you.
You will have to spend a year or so working there
before they offer you a job.
If the studio is an active one doing music and speech work,
you will be able to learn a lot about recording in a year.
Of course,
if you realize that the studio is not a prosperous one,
leave it instantly and look for another one.
now the passage will be read again
Some people say that
if you want to go into the recording business,
“It’s not what you know,
but who you know, that matters.
” My first reaction to that is to disagree,
but on second thought I must admit
that there is some truth in it.
When you go for an interview for a job in a studio,
they will be interested in the qualification you have on paper
but the really important thing will be that
you can show you have had some useful experience.
If you don’t know anyone significant,
look in the yellow pages for the list of local studios.
Go round to the ones that seem to be professional.
And ask them if they need extra help.
They will not want to employ you
unless you have some previous experience,
so tell them that you will work there for nothing,
that you are just interested in recording,
and that you are on the lookout for
any job that comes up.
You should display your personality
as good as you can.
If they accept you,
at first you have to make the tea or sweep the floor.
When they get to know you and see
that you like studio work,
they may give you more interesting jobs
and think of employing you.
You will have to spend a year or so working there
before they offer you a job.
If the studio is an active one doing music and speech work,
you will be able to learn a lot about recording in a year.
Of course,
if you realize that the studio is not a prosperous one,
leave it instantly and look for another one.
Now the passage will be read for the third time
Some people say that
if you want to go into the recording business,
“It’s not what you know,
but who you know, that matters.
” My first reaction to that is to disagree,
but on second thought I must admit
that there is some truth in it.
When you go for an interview for a job in a studio,
they will be interested in the qualification you have on paper
but the really important thing will be that
you can show you have had some useful experience.
If you don’t know anyone significant,
look in the yellow pages for the list of local studios.
Go round to the ones that seem to be professional.
And ask them if they need extra help.
They will not want to employ you
unless you have some previous experience,
so tell them that you will work there for nothing,
that you are just interested in recording,
and that you are on the lookout for
any job that comes up.
You should display your personality
as good as you can.
If they accept you,
at first you have to make the tea or sweep the floor.
When they get to know you and see
that you like studio work,
they may give you more interesting jobs
and think of employing you.
You will have to spend a year or so working there
before they offer you a job.
If the studio is an active one doing music and speech work,
you will be able to learn a lot about recording in a year.
Of course,
if you realize that the studio is not a prosperous one,
leave it instantly and look for another one.
This is the end of listening comprehension
| 重點單詞 | 查看全部解釋 | |||
| persuade | [pə'sweid] |
想一想再看 |
聯想記憶 | |
| nevertheless | [.nevəðə'les] |
想一想再看 adv. 仍然，不過 |
||
| availability | [ə.veilə'biliti] |
想一想再看 n. 有效，有用，有益；可得到的人(或物) |
||
| understand | [.ʌndə'stænd] |
想一想再看 vt. 理解，懂，聽說，獲悉，將 ... 理解為，認為< |
||
| beneficial | [.beni'fiʃəl] |
想一想再看 adj. 有益的，有利的 |
聯想記憶 | |
| boring | ['bɔ:riŋ] |
想一想再看 adj. 令人厭煩的 |
||
| mental | ['mentl] |
想一想再看 adj. 精神的，腦力的，精神錯亂的 |
聯想記憶 | |
| stress | [stres] |
想一想再看 n. 緊張，壓力 |
||
| urban | ['ə:bən] |
想一想再看 adj. 城市的，都市的 |
聯想記憶 | |
| troubled | ['trʌbld] |
想一想再看 adj. 動亂的，不安的；混亂的；困惑的 |
聯想記憶 |
- 閱讀本文的人還閱讀了：
可可英語官方微信(微信號:ikekenet)
每天向大家推送短小精悍的英語學習資料.
添加方式1.掃描上方可可官方微信二維碼。
添加方式2.搜索微信號ikekenet添加即可。
添加方式1.掃描上方可可官方微信二維碼。
添加方式2.搜索微信號ikekenet添加即可。
