評(píng)論
打印
What we've got here, in effect, is a disguised religious picture,
我們這里看到的其實(shí)是一幅偽裝的宗教畫(huà)
and I think there's a reason for the disguise.
我認(rèn)為這種偽裝是有原因的
Altdorfer is actually in a sticky position.
阿爾特多費(fèi)的日子并不好過(guò)
He was living in a Catholic town at the beginnings of the eruption
他生活在一座天主教小鎮(zhèn),適逢宗教改革
that was the Protestant Reformation.
爆發(fā)的初期
He'd been involved in organising town ceremonies and pilgrimages,
他參與組織了城鎮(zhèn)典禮和朝圣活動(dòng)
and part of the force of Protestantism
而新教教義的一部分
was about the so-called idolatry of images.
就是對(duì)于意象的崇拜
With this painting,he neatly sidesteps the whole issue
在這幅畫(huà)中,他完美回避了
of brutal and bitter partisan religious conflict.
殘忍痛苦的宗教派系沖突
We have religion implied by the body of the Christ in the tree,
這種宗教信仰蘊(yùn)含在這棵樹(shù)上的基督體內(nèi)
rather than frontally represented.
而不是直接表達(dá)出來(lái)
This is a very stylish picture,
這幅畫(huà)很具有現(xiàn)代風(fēng)格
but it is also very raw and rough and coarse.
但它也很原始粗獷
It's almost at times as if he painted it
有時(shí)覺(jué)得他好像是
with a pointed, sharpened twig.
用一根尖銳鋒利的樹(shù)枝完成了這幅畫(huà)
There is a kind of slashed, cut element to some of the details
在描繪這些葉子的時(shí)候 在一些細(xì)節(jié)處
over which the paint drips and hangs
有一種砍伐 切割的元素
when it describes these leaves.
讓顏料滴下來(lái) 又保持在畫(huà)上
This is a portable thing.
這幅畫(huà)很方便攜帶
It's not stuck in a church, like an altar piece.
它沒(méi)有像祭壇裝飾品一樣被封存在教堂里
It's not stuck on a wall, like a fresco.
也沒(méi)有像一幅壁畫(huà)一樣被禁錮在墻上
You can own this, you can carry it around.
你可以擁有它 可以帶著它去別的地方
A new kind of art is born here,
一種新的藝術(shù)在這里誕生了
and Altdorfer knows that very well.
阿爾特多費(fèi)很清楚這一點(diǎn)
Altdorfer's landscapes managed to dodge religious schism
阿爾特多費(fèi)的風(fēng)景畫(huà)嘗試著通過(guò)利用自然風(fēng)景
by disguising it in nature.
來(lái)寄托宗教情懷
But they did something else as well.
但還不止于此
They tapped into a Teutonic sense of identity.
它們挖掘出了日耳曼人的認(rèn)同感
The notion of a natural German homeland in the forest.
森林中一個(gè)具有自然之美的德國(guó)故鄉(xiāng)概念
When Altdorfer used woodcuts to reproduce his paintings,
當(dāng)阿爾特多費(fèi)用木刻來(lái)重現(xiàn)他的畫(huà)作時(shí)
the audience for landscape art dramatically increased.
關(guān)注他風(fēng)景畫(huà)藝術(shù)的人們大幅增加
And what his audiences were buying into
他的關(guān)注者們喜歡的是
were landscapes loaded with symbolism.
這些風(fēng)景畫(huà)都承載著象征意義
The sacred tree, the Gothic wood.
莊嚴(yán)的樹(shù) 哥特式的木頭
Mostly, though, they were devoid of human beings.
可是大多數(shù)畫(huà)中都沒(méi)有人的出現(xiàn)
